March 2018 Track of the Monthby ANDRÉ PREVIN
"It's always a pleasure to be delighted by music I encounter for the first time. But Andre Previn's Clarinet Quintet is truly special. Its lyricism, invention, and craft are constantly engaging throughout the piece, proving once again what a treasure Previn is. And Tom Martin and the Hawthorne Quartet absolutely glow in the performance." “Both the [Previn] Sonata and the Quintet deserve an immediate place in the modern repertoire, and these performances should ensure that. Previn writes superbly for the clarinet . . . Martin plays with a wonderfully smooth and resonant sound all through . . . The Hawthorne Quartet gives their parts breathtaking vigor, grace, sophistication , and teamwork . . . and Previn brings the same level of expertise and artistic commitment to the keyboard as he does to the podium. . . . Previn’s new contributions are masterly.” |
Photos above by Michael J. Lutch.
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BSO Clarinetist Thomas Martin: "something far beyond a dream!""I’ve admired André Previn as a musician, conductor, and composer all my musical life. In recent years I’ve had the opportunity to get to know André personally, and I admire him also as a person of upmost integrity, intelligence, and wit. I was eleven years old when a friend of mine introduced me to an LP of him performing a composition of his with clarinetist Benny Goodman. I was immediately smitten. In the 1970s I was glued to a television set for every episode of 'Previn and the Pittsburgh.' The first time I worked with André was my very first year as a member of the Boston Symphony Orchestra. It was August of 1985 at the Tanglewood Music Festival. I remember him walking on stage and feeling a dream had come true. |