Above: TMF executive Director Mark Ludwig (left) next to Sivan Eldar, David Post, and Elaine Agnew, composers of TMF LiberArte commissions, at their world premiere in 2015 at Prague's Spanish Synagogue.

Track of the Month: May

You are listening to the Boston Children's Chorus perform the world premiere  of “The Song About the Child," a TMF LiberArte commission by Sivan Eldar.

​This piece will receive its Prague Spring International Festival premiere on May 20, 2018. The Martinú Voices will perform.

Sivan Eldar is an Israeli-born composer. Her TMF LiberArte commission, "Mother Tongue / The Song About the Child" unites TMF-commissioned poems about freedom by Agi Mishol, a Jewish Israeli poet whose parents survived the Holocaust, and Salman Masalha, an Arab-Israeli poet living in Jerusalem.

Ms. Eldar uses instrumental, electronic, and found sounds to create compositions for live concerts, theater, dance, radio broadcast and gallery spaces. She has worked with many of today’s leading ensembles, and has received awards from the Fulbright Foundation, Hearst Foundation, ASCAP, The European Broadcasting Union, the Accademia Musicale Chigiana, and the Nicola di Lorenzo Competition, among many others. She is a PhD candidate in composition at the University of California, Berkeley, where she works at the Center for New Music and Audio Technologies (CNMAT) and at the Berkeley Center for New Media (BCNM) with advisors Edmund Campion, Franck Bedrossian and Ken Goldberg. She is the recipient of the 2014 George Ladd Prix de Paris.

Ms. Eldar describes her commission:

"When Mark shared with me some of the poems he had recently commissioned, I fell in love with Agi Mishol's 'Mother Tongue.' A few weeks later, Mark sent me Salman Masalha's 'The Song About the Child,' and we both thought that the two would make a powerful and timely pair. Both poems tell the story of birth, of loss, and of finding hope. One from the perspective of a Jewish Israeli poet (born in Hungary to Holocaust survivors), and the other from the perspective of an Arab Israeli poet (born in the Arab town of Al-Maghar and living Jerusalem).

In my settings I first of all wanted to be true to each text. 'The Song About the Child' has beautiful rhymes and double rhymes in Hebrew. It is an anthem of sorts, but also a tragic lullaby. When I created the relationship between the soloist (singing in Hebrew) and the choir (singing in English) I wanted to highlight these two qualities. 

'Mother Tongue,' on the other hand, is a narrative poem where each stanza paints a different image. A theme that ties all the stanzas together is the discovery of words - from vowels to letters to words to poetry. I decided to echo that process musically - moving from breath to pitched sounds to harmony. The birth of music. The words of the narrator, as in the poem, tie it all together.

I imagine the two settings as two movements: 'Mother Tongue' followed by 'The Song About the Child.' Harmonically, they transition into one another. The soloist also plays an important role in connecting them. When she finally begins to sing the text in the second movement, the choir follows, creating a kind of question and answer between the singular and plural experience, between vowels and words, and finally between different languages."